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Wildwood Sounds in Del Norte

Doctor Robert can’t thank the good people of Del Norte and Wildwood Sounds enough for the amazing experience this past Saturday. We played 55 songs, over 200 minutes of music, and had the best time playing for an enthusiastic crowd. This was our fourth time playing Wildwood, and the place was standing-room only. We’re honored that so many of these fans have seen us every time we’ve been in Del Norte. Thanks to Stephen and Konnie for all the love we feel when we visit Wildwood Sounds. Stephen took video of the show, check out your favorites below.

Strawberry Fields Forever –> Get Back

You Never Give Me Your Money

Revolution

A Hard Day’s Night –> Mean Mr. Mustard –> Polythene Pam –> SCITTBW

Come Together

Something

While My Guitar Gently Weeps

When I’m Sixty Four

Oh! Darling

I Want You (She’s So Heavy)

You’ve Got to Hide Your Love Away

Here Comes the Sun

I’m Only Sleeping

Getting Better –> Back in the USSR

I’ve Got a Feeling

Baby’s in Black

Yesterday

Boulder Beer, Ute Theatre in Saguache

Doctor Robert brought it’s unique Beatles tribute to Boulder Beer and The Ute Theatre in Saguache last week, playing two different, fun shows for a mix of new fans and many that have seen us several times. Recordings from both shows can be found below.

Boulder Beer makes for a casual, laid-back atmosphere to play Beatles music, and is always a good time for Doctor Robert. The rains delayed our start time, but it cleared out early enough for our full two-set show. Thanks to everyone that made the performance in Boulder, we look forward to getting back as soon as we can. Here are several recordings from the show at Boulder Beer Company:

Here Comes the Sun

Good Day Sunshine

Mean Mr. Mustard trilogy

I’m Only Sleeping

Eleanor Rigby

One After 909

Michelle

I Will

You Won’t See Me

Dear Prudence

It Won’t Be Long

I’m a Loser

If I Needed Someone

While My Guitar Gently Weeps

I Don’t Want to Spoil the Party

Glass Onion

Getting Better

Doctor Robert

The Ute Theatre is an amazing little venue in the amazing little town of Saguache, Colorado. Every time we’ve played a show in the San Luis Valley, we’ve had the nicest people and some of the biggest Beatles fans turn out. This was no different, as we played over three hours of Beatles music for a very attentive and insprired audience. The energy was high at Ute Theatre, and we definitely felt the love from the crowd all night. We’re always inspired to perform at our best when we’re under the microscope like the show in Saguache, thanks to our many San Luis Valley fans that made the trip from Alamosa, Del Norte, Monte Vista, Crestone, and Saguache. Here are some recordings from the show at Ute Theatre:

Let it Be

Something

Come Together

Act Naturally

Yesterday

While My Guitar Gently Weeps

The Night Before

Strawberry Fields Forever

Blackbird

Lucy in the Sky with Diamonds (Our latest song, number 108 out of 210)
.
I’ve Just Seen a Face

I Saw Her Standing There

Revolution –> Get Back

Please Please Me

Crested Butte Nordic Center

Doctor Robert performed two sets of Beatles music for the Crested Butte Nordic Center’s end-of-season party last week at Montanya Rum Distillery. Playing music in the old Powerhouse building with The Still as our backdrop: the copper pot, lentil, condenser, and many other components that produce the amazing rum at Montanya’s. Thanks to the Crested Butte Nordic Center for having us! This party was a “thank you” to the 500 season pass holders, the 300 Grand Traverse atheletes, and the volunteers that make everything come together so smoothly each year. This was the 26th year for the Nordic Center, and the 16th annual Elk Mountains Grand Traverse.

Our dear friend and expert with a camera, Xavier Fane (www.xavierfane.com), took some great photos of the evening, posted below. We also had local film crew, Two Plank Productions, taking some video of the show. Look for video footage in the coming weeks on our website. As always, we recorded the night of Beatles music. We played our first version of George Harrison’s “Something” from Abbey Road, as well as a tease of the ending to “You Never Give Me Your Money” also from Abbey Road. Check for the links below Xavier’s photos.

"It's Such a Feeling that My Love, I Can't Hide..."

"Get back, Jo Jo"

"Catch you with another man, that's the end, little girl"

"Still my guitar gently weeps..."

Montanya Rum Distillery

"Looking up, I noticed I was late..."

Montanya Rum Distillery

"Gonna try with a little help from my friends"

Montanya Rum Distillery

Montanya Rum Distillery

And here are two recordings from the night, both first time performed by Doctor Robert, The Colorado Beatles Tribute:
Something

Birthday –> You Never Give Me Your Money (jam)

Song History: Doctor Robert

We named our Beatles tribute band, Doctor Robert, after track #11 on the Revolver album. It’s a more obscure song and a lot of people don’t know the history behind the song, if they know the song at all. There’s a funny story behind the idea, as there are with many John Lennon songs. We like to think of our band “Doctor Robert” as medicinal MUSIC, a drug more powerful than all others. Here’s the history, according to a great website www.BeatlesEBooks.com:

“So, when was the first time that you suspected from listening to their music that The Beatles were using drugs? Most first generation fans would probably point to songs from the year 1967, such as the lyric “I get high with a little help from my friends,” or the imagery used in “Lucy In The Sky With Diamonds,” not to mention the supposed message hidden in the initials of that song. The year 1968 gave us clues as well, such as the lyrics “I need a fix ‘cause I’m going down” from “Happiness Is A Warm Gun” and “the deeper you go, the higher you fly” from “Everybody’s Got Something To Hide Except Me And My Monkey.”

While there are probably many other examples that can be pointed to, the first obvious indication was on the 1966 “Revolver” album (or “Yesterday…And Today” album in the US). Only the naive would have thought that “Dr. Robert” was a song about John’s family ‘ear, nose and throat’ physician. But then again, young fans may have thought just that! John’s longtime friend Pete Shotton remembers, “When John first played me the acetate of ‘Dr. Robert,’ he seemed beside himself with glee over the prospect of millions of record buyers innocently singing along.”

While the group had been drug users for awhile before this time, they had only hinted at this fact in their music up to this point. The lyrics “turns me on” was slyly included in the song “She’s A Woman,” and the description of a woman as being a “Day Tripper” were two notable examples, but they were included in such a way that not many would suspect anything. “The Word” was admittedly written under the influence of marijuana, as was a lot of the “Rubber Soul” album, but that was also veiled in disguise. It wasn’t until 1966 that they threw all caution to the wind and released a song that was blatantly about a drug pusher.

The subject matter may have been clear, but the real curiosity here was with his identity. Who really was “Dr. Robert”?

“It’s all about a queer!” This was John Lennon’s response when asked about the song during an interview. Keep in mind, however, that when he was asked about the inspiration behind “Eleanor Rigby” his response was “two queers.” Also, when a reporter asked what they thought about a Time Magazine article that explained “Day Tripper” as being about a prostitute and “Norwegian Wood” as being about a lesbian, Paul’s response was “We were just trying to write songs about prostitutes and lesbians, you know.” Obviously they were joking at the expense of those who were trying to interpret their music. Therefore, we can easily rule out “Dr. Robert” being about a “queer.”

Another curious quote from John about the song came in 1980. “It was about myself. I was the one that carried all the pills on tour and always have done. Well, in the early days. Later on the roadies did it, and we just kept them in our pockets loose, in case of trouble.”

While this appears to be the final word on the matter, there seems to be more to the story. Referring to a New York doctor that they’d heard about, Paul explains: “We’d hear people say, ‘You can get anything off him, any pills you want.’ It was a big racket. The song was a joke about this fellow who cured everyone of everything with all these pills and tranquilizers. He just kept New York high.”

Pete Shotton attempts to add more details to the story: “John paid sardonic tribute to an actual New York doctor. His real name was Charles Roberts, whose unorthodox prescriptions had made him a great favorite of Andy Warhol’s entourage and, indeed, of The Beatles themselves, whenever they passed through town.”

As for the Beatles actually visiting this doctor, Paul himself puts this to rest, saying, “As far as I know, neither of us ever went to a doctor for those kind of things. But there was a fashion for it and there still is. Change your blood and have a vitamin shot and you’ll feel better.” Since The Beatles have been very candid about their drug use during those years, the above statement appears to have the ring of truth.

One other detail that needs clarification is the name Charles Roberts. Probably because of Pete Shotton’s account, this physicians’ name had been well circulated in Beatles lore for a time. However, in Steve Turner’s book “A Hard Day’s Write,” it is explained that a New York doctor by this name “didn’t exist. It was an alias used by the biographer of Warhol actress Edie Sedgwick, Jean Stein, to conceal the identity of another ‘speed doctor.’”

The speculation about the identity of “Dr. Robert” is convincingly cleared up in Paul McCartney’s book “Many Years From Now.” Co-author Barry Miles, reiterating Paul’s account, explains as follows: “In fact, the name was based on the New York Dr. Feelgood character Dr. Robert Freymann, whose discreet East 78th Street clinic was conveniently located for Jackie Kennedy and other wealthy Upper East Siders from Fifth Avenue and Park to stroll over for their vitamin B-12 shots, which also happened to contain a massive dose of amphetamine. Dr. Robert’s reputation spread and it was not long before visiting Americans told John and Paul about him.”

German born Robert Freymann, sometimes known as Dr. Robert or “The Great White Father” (reportedly because of having a tuft of white hair), continued his practice in New York for many years administering legal amphetamines in larger than needed doses to mostly well-to-do clients. “I have a clientele that is remarkable, from every sphere of life,” he has stated. “I could tell you in ten minutes probably 100 famous names who come here.” He continued his practice until he was expelled from the New York State Medical Society in 1975 for malpractice. His book “What’s So Bad About Feeling Good?” was published in 1983. He passed away in 1987.

About the writing of the song, Paul recalls: “John and I thought it was a funny idea: the fantasy doctor who would fix you up by giving you drugs, it was a parody on that idea. It’s just a piss-take.” As early as 1967, Paul explained the meaning of the song: “That’s what ‘Doctor Robert’ is all about, just a pill doctor who sees you all right. It was a joke between ourselves, but they go in in-jokes and come out out-jokes, because everyone listens and puts their own thing on it, which is great. I mean, when I was young I never knew what ‘gilly gilly otsen feffer casta nell a bogen’ was all about, but I still enjoyed singing it.”

As to who wrote what, John said in his 1972 interview with Hit Parader Magazine that it was mostly written by him, but then stated “I think Paul helped with the middle.” The sentiment expressed by Paul in his statements about the song seems to corroborate this point.

With a remarkable four month rest period from nearly anything Beatles related, stretching from the completion of their last British tour on December 12th, 1965 to their first EMI recording session of the year on April 6th, 1966, the song “Dr. Robert” can easily be estimated to have been written during this time. It was undoubtedly another product of a writing session between the two composers at John’s Kenwood mansion.”

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